The route
We agree the shot list with you a few days before, room by room, and you send phone snaps so we know the layout. On the day the photographer starts outside, with the hero frame — the pool with the bungalows behind, or the cabin with the sea beyond it — while the light is still angled and soft. Then inside: the best room first, shot from the corner that shows the bed, the window and the view in one frame; the bathroom, which on Penida is often half open-air and worth a frame of its own; the terrace with something real on the table. The last minutes go on details: a hammock, a breakfast tray, the path down to the cliff. With extra hours we cover every room type and stay into dusk for the lit-up twilight exterior that tops most listings.












