The route
We arrive mid-morning, after your guests have left for or returned from the sunrise and checked out, and walk the property with you first to agree the shot list. The view comes first while the morning is clear: from the best window, the terrace or the roof, with the caldera rim and the cone if you have them, or the terraced fields and ridges if you are lower on the slopes. Then the rooms, starting with the one you sell most: beds made up with the thick blankets that guests worry about, a heater or hot-water kettle visible, curtains open to the light, each frame shot as a set of exposures so the window and the room are both correct. The bathroom gets a frame that shows the hot-water heater honestly, because that is the question every reviewer answers. We finish in the common room or the dining area, ideally with breakfast laid out. With an extra hour ($100), we return at dusk for the exterior lit up against the blue sky — the frame that makes a guesthouse look like a shelter at the end of the world.











