The route
We meet in the sea of sand as the jeeps come down from the viewpoints, around 6:30 — after the sunrise you have watched on your own tour, or from a jeep we arrange. The first ten minutes are close: portraits with the cone behind you and the sun low and sideways, scarf and hair moving in the wind. Then I walk away. The middle of the session is distance work, with you walking along a jeep track or standing still while the camera, a hundred metres off, makes you a small upright figure against Batok’s ribs or the long ash slope of Bromo. If the crater stairs are open, we finish at their foot: one frame looking up the 250 steps with you halfway, another from the top looking back over the sand. We do not climb the rim in the strongest sulphur, and we skip the stairs completely when the park closes them.










