The route
We arrive at Mawun about fifty minutes before sunset and start on the slope at the western end, filming you walking down towards the bay — the establishing shot that opens the film. On the sand we slow down: a few minutes of you two simply talking, filmed on a long lens from a distance so you forget the camera, and a lavalier or close recorder catching a line or a laugh if you want words in the film. Then movement — a run into the shallows, a spin, a carry — filmed from low angles with the bay behind. The final minutes are for the light: silhouettes against the western headland, hands, a slow walk away along the waterline. The editor builds the story from this, and cuts the vertical teaser from the strongest moments.












