The route
We arrive an hour early and start with sound, not pictures. The celebrant and the groom get small lavalier microphones clipped out of sight and shielded with fur windscreens; if the bride’s dress allows it, she wears one too, otherwise the groom’s picks up both voices. A recorder at the arch catches the music and guests. Then the camera positions: the main one on a tripod down the aisle, slightly off-centre so the islands sit beside rather than behind your heads, and a second angle from the side for faces, worked handheld during the vows. When filming starts, the order is fixed by the ceremony itself — guests settling, the entrance, the vows and rings, the kiss, the recessional. The last minutes are for the two of you, filmed on the edge of the terrace or the bow as the sun touches the water; this becomes the ending of the film and the opening of the teaser. On a boat, the same plan runs at anchor with the engine off.












