The route
We agree the three concepts before the day — for example a “walk into Bali” reveal, an outfit-change sequence and a slow, atmospheric beach piece — and the shot list for each. On the morning we start at the top of the Melasti road, filming the walk down between the limestone walls from several angles, with a gimbal tracking shot for the reveal at the bend. On the beach we film the outfit sequence against the plain backdrop of sand and cliff, matching your position frame to frame so the cuts land cleanly. The last ten minutes are for texture: water running over your feet, a slow turn into the light, fabric in the wind, close-ups of hands and hair. Every shot is filmed vertically, never cropped from horizontal.












