The route
We drive up about forty minutes before sunset and you change into the dress in the car, with sandals on for the short walk. The first thing we do is read the wind: the train always flies downwind, so we place you with the breeze at your back and the bay on one side, and the dress streams out across the frame rather than into your face. The half hour has three set-ups. A wide frame from below, with you on the crest and the train against open sky. A side-on frame along the ridge, the dress stretched horizontally over gold grass, the islands behind. And, as the sun touches the water, a backlit frame where the light comes through the fabric and turns it translucent. On calm evenings, the train is lifted and released from just out of frame on a count. On Padar, the same set-ups happen on the upper landings at first light, after you have carried the dress up in its bag.












