The route
Before the day we go through your grid and agree a shot list: which frames are covers, which are carousels, which need negative space at the top for text. On deck, look one starts at the bow — a wide 9:16 with you small against the sea, then medium frames leaning into the rigging, then details for carousels: hands on rope, bare feet on teak, a hat against the sky. Next comes the sun deck, shot from above off the upper level, which gives the overhead “lying on cushions” frame without a drone. A quick change in the cabin gives look two for the stern and the swim ladder, with the water below. If the captain allows it and the water is deep and clear, the final minutes are a jump from the side, shot in a burst from the upper deck. In town, the same structure runs on a terrace: wide frames with the harbour, then a café table set-up, then details.












